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 SDUK 07: TILTING (1)
April 2020
  • 7.1.0
    Cover
  • 7.1.1
    tl;dr part 1

    Editorial
  • 7.1.2
    Conjecture Diagrams

    Sara Graham
  • 7.1.3
    The Year I Stopped Making Art

    Paul Maheke
  • 7.1.4
    W.E.I.R.D.: Uncertainty

    Nicola Privato
  • 7.1.5
    Impotentiality and Resistance

    John Paul Ricco
  • 7.1.6
    Social Distancing in the Time of Social Media

    Christina Battle
  • 7.1.7
    Hold Still

    Kimberly Edgar
  • 7.1.8
    Alternate Forms of Delivery

    Aisha Ali, Atanas Bozdarov, Inbal Newman, Craig Rodmore, and Florence Yee
  • 7.1.9
    Who Is Inside
    (Your Pandemic)

    Amy Fung
  • 7.1.10
    amidst

    d’bi.young anitafrika
  • 7.1.11
    Four Thieves Vinegar

    Sydney Shen
  • 7.1.12
    How to Swim in a Living Room

    Adam Bierling
  • 7.1.13
    A Fever, A Crisis

    Kimberly Edgar
  • 7.1.14
    Lifers

    Noelle Hamlyn
  • 7.1.15
    A Job Guarantee

    D.T. Cochrane
  • 7.1.16
    "Deception is a co-effect which cannot be neglected"

    Ruth Skinner
  • 7.1.17
    Virus and Commons

    Andrea Muehlebach
  • 7.1.18
    Quarantined Connections at the End of the World

    Paul Chartrand
  • 7.1.19
    Distancing

    Alison Bremner
  • 7.1.20
    After the Rains

    Sanchari Sur
  • 7.1.21
    Crisis and Critique

    Eric Cazdyn
  • 7.1.22
    Colophon
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Conjecture Diagrams

  • Sara Graham
A drawing done with graphite on off-white paper in a geometric style resembling an architectural drawing. It depicts elements of home construction, like framing, roof trusses, and ladders, seen at odd and impossible angles to one another.
Sara Graham, Conjecture Diagram no. 05, 2014. Graphite on mylar. Courtesy the artist.
A drawing done with graphite on off-white paper in a geometric style resembling an architectural drawing. It depicts elements of home construction, like framing, roof trusses, and ladders, seen at odd and impossible angles to one another.
Sara Graham, Conjecture Diagram no. 03, 2014. Graphite on mylar. Courtesy the artist.



Sara Graham has produced a diverse body of work that shares a concern with the images, issues, and ideas that surround and make up the cities we live in or those that we imagine. Graham maintains an ongoing interest in how people and communities shape and are shaped by the numerous systems and networks within the everyday lives of cities, and in how people move within and around cities. She has developed a body of work in which she has explored different ways to transform a viewer’s perception of “place” using forms of architecture, storytelling, and mapping.

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