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 SDUK 03: BEARING
March 2019
  • 03.0
    Cover
  • 03.1
    IBC (Indian Brand Corporation): Dystopic Autonomy

    Joseph Tisiga
  • 03.2
    How to Read this Broadsheet
  • 03.3
    Carrying Capacity

    Marina Roy
  • 03.4
    Open Letter to the Federal Government

    W.R. Peltier, D.W. Schindler, John P. Smol, David Suzuki
  • 03.5
    Claiming Bad Kin

    Alexis Shotwell
  • 03.6
    A Brief History of Feeling

    Jacquelyn Ross
  • 03.7
    Energy-Bearing Media

    Jeff Diamanti
  • 03.8
    Figures 1928, Airline routes and distances

    Malala Andrialavidrazana
  • 03.9
    What is Growth?

    D.T. Cochrane
  • 03.10
    This, Too, Will Contaminate

    Joy Xiang
  • 03.11
    The Need for Urban Climate Justice

    Sara Hughes
  • 03.12
    The role of municipalities in changing behaviours

    The Climate Change Project, City of Mississauga

  • 03.13
    A PEOPLE'S ARCHIVE OF SINKING AND MELTING: NUNAVUT

    Amy Balkin
  • 03.14
    Local Useful Knowledge: Resources, Research, Initiatives
  • 03.15
    Glossary
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Figures 1928, Airline routes and distances

  • Malala Andrialavidrazana
Malala Andrialavidrazana, Figures 1928, Airline routes and distances, 2018. UltraChrome pigment print on Hahnemühle Cotton Rag. Courtesy the artist.



Born and raised in Madagascar before settling in Paris in the early 1980s, Malala Andrialavidrazana fuels her practice by moving from one land to another. By way of the photographic medium, she interrogates barriers and interactions within cross-cultural contexts, thoughtfully shifting between private spaces and global considerations to explore social imaginaries. Over time, she has invented a language that is resolutely turned toward history, while simultaneously expressing a profound engagement with contemporary issues and developments. Based on extensive in situ as well as bibliographic and archival research, her visual compositions open up the possibility of alternative forms of storytelling and history-making.

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