Contributor

Susan Schuppli is an artist and researcher whose work examines material evidence from war and conflict to environmental disasters. Creative projects have been exhibited throughout Europe, Asia, Canada, and the US. Recent commissioned works include Learning from Ice, Toronto Biennial; Nature Represents Itself, SculptureCenter; Delay Decay, Garage Museum of Contemporary Art, Moscow; Trace Evidence, Extra City, Antwerp & Bildmuseet, Umea; and Atmospheric Feedback Loops, a Vertical Cinema project for Sonic Acts, Amsterdam. She has published widely within the context of media and politics and received the ICP Infinity Award for Critical Writing and Research in 2016. Her book, MATERIAL WITNESS: Media • Forensics • Evidence, published by MIT Press, will be released in 2020. Schuppli is Director of the Centre for Research Architecture, Goldsmiths University of London and is an affiliated artist-researcher as well as board chair of Forensic Architecture.