Repetitive movements from the Collective’s films are transformed as drawings spinning in a set of zoetropes, sculptural objects that represent the very first form of moving images. Rather than familiar sequences of galloping horses and juggling clowns, these zoetropes depict subtle gestures glimpsed in the video installation: soft-serve ice cream being served, a figure making a self-soothing arm movement, and a box getting placed onto a shelf. These looping animations highlight that the joy found in repetition is not only central to autistic experience but also embedded in the origins of cinema itself. The inclination to watch an action repeated has deep roots: first fulfilled by devices like the 1830s zoetrope, early experimental filmmakers continued this exploration with mesmerizing circular imagery. Today, an interest in looping remains prevalent through the widespread popularity of GIFs. The Neurocultures Collective begins here—at the intersection of stimming, GIFs, early cinema, and the avant-garde—envisioning a world where stimming is embraced as a desirable state.