As a Kenyan-Indian-Canadian, Brendan Fernandes reclaims his cultural hybridity through the act of tanning. Changing to Summer documents the gradation of the artist’s skin as textile motifs are emblazoned onto his body. With the paisley decals layered on top of each other, he then exposes his torso to UV tanning lights which render his skin into a range of different tones and shades. This is a figurative attempt to reconcile his identities and hold on to his cultural histories. A tan, viewed by some with negative connotations of the working class and manual labour, here becomes a positive reclamation of the artist’s body and multicultural heritage.