Deborah Ligorio’s Care: A Somatheory Encounter (2017) uses water as a medium of storytelling and archive. As curator Helena Reckitt describes: “The work comprises a video and an installation in which the visitor is invited to sit, relax, and follow a guided meditation. Ligorio evokes a viscous, porous environment, entailing a closer look at the sea, where the interaction of biological and technological elements creates conditions of pollution and toxicity. The video guides the viewer through breathing and body-awareness techniques to enable them to experience theoretical ideas on a bodily level.” Breathing in Ligorio’s video is transformed into an embodied eco-feminist practice of care and awareness. Visitors were encouraged to participate with the work by imagining the emancipatory potential of care work. As Reckitt explains: “participants were invited to transform and translate a specific physical tension from where it is harmful to where it is useful, and to imagine habits of care with the capacity of empowerment. They were asked to handle small sculptures assembled from biological and manufactured objects that Ligorio found on the beach and fashioned into hybrid, relational forms.” By imagining alternative ecological futures sustained by interdependence, fostering, and care, Ligorio invites us to find shared resonances and collective politics that might emerge out of unconventional relations, tensions, and practices.