Curated by Shani K Parsons, Love’s Labours is a 50-minute video program on intersections of motherhood and artistic practice as they relate to issues of care. Including historical film excerpts, experimental film and video, mini-documentary interviews, and spoken word/music, Love’s Labours explores how a number of artists have wrestled with obligations, aspirations, and transformations that the physical, mental, emotional labours of motherhood bring to bear upon their inner worlds and identities as they negotiate the intensities and intimacies of maternal and artistic life in the face of systemic pressures and inequities.
Laura Mulvey and Peter Wollens, Riddles of the Sphinx (excerpt), 1977, 6:10 min.
Lu Heintz, Lead, Follow, 2016, 2:12 min.
Mary Kelly, Post Partum Document, 1973-79, TateShots, 2015, 4:17 min.
Mirha-Soleil Ross, Lullaby, 2001, 4:00 min.
Melissa Mollen Dupuis, Nitanish (To my Daughter), 2015, 3:03 min.
Jules Arita Koostachin, Niso kakastesinowin, 2011, 2:30 min.
Tracey Kershaw, Dropping peas picking up peas, 2011, 0:45 min.
Megan Wynne, My Puppet, 2014, 1:54 min.
Megan Wynne, Floor Birth, 2016, 0:09 min.
Betye and Alison Saar, Similar Differences,1990, 9:30 min.
Alison Saar, Bearing, 2015-16, 6:41 min.
Cara Mumford and Leanne Betasamosake Simpson, Leaks, 2013, 2:42 min.
Lu Heintz, I love you, 2014, 3:00 min.
Kelly O’Brien, How Does Life Live?, 2017, 3:31 min.
This program is presented as part of The Let Down Reflex on view at the Blackwood Gallery from October 16–November 4, 2017, and as part of Take Care, Circuit 2: Care Work.