
Manifesto,
200, Untitled,
2001
Named after the
33 pieces of the human spine, this exhibition by Rebecca Belmore presented
a series of new, interrelated works based on past and ongoing concerns
in her performance and installation works. Transforming the gallery
into a temporary studio, the exhibition took shape in the form of residual
or newly made sculptural and auditory works. The exhibition travelled
to Dunlop Art Gallery (Regina), WKP Kennedy Gallery (North Bay), Parry
Sound Station Gallery (Parry Sound), Art Gallery of Sudbury (Sudbury),
and Definitely Superior (Thunder Bay).
A roundtable discussion,
titled Performance as Document, with Sylvie Gilbert, Johanna Householder,
Clive Robertson and Rebecca Belmore was held on February 13, 2001. The
exhibition received financial support from the Canada Council.
A catalogue with
essays by Dot Tuer and Barbara Fischer is available.